Chicos en la playa

Joaquín Sorolla · 1910

Three boys lie on their bellies at the water's edge, the sea licking their skin, sunlight trembling over sand and bodies. Sorolla painted them from life on a Valencia beach and later gave the canvas away himself.

The story behind the painting

Sorolla painted this scene from life on the beach of El Cabañal in Valencia, his home city. Throughout his career he returned again and again to naked children bathing by the sea, so often that it can be seen as a theme of its own in his work. The sources disagree on the date: the French Wikipedia article gives 1909, while Wikidata gives 1910. The canvas measures 118 by 185 cm. In 1919 the painter donated it himself to the Museum of Modern Art in Madrid, and from there it later came to the Museo del Prado, where it belongs today.

What to look for

The water is crystal clear and the three boys lie on the wet sand, completely naked, as children once bathed. The first, fair-haired and pale, seems the youngest; he leans on one elbow and looks toward the other two, who are darker and face another way. One of them turns to the fair boy with a smile, the other ignores the scene. The fair child sinks less into the sand and is painted in more detail, from the soles and toes of his feet to the muscles of his legs and back, while the two dark boys, half buried in the damp sand, are much more sketchily painted.

Meaning and intent

The real subject is light. Sorolla captures the play of sunlight on the water, the sand and the three bodies, and the reflections and shadows that recur in all his beach scenes. By finishing one child carefully and leaving the others loose, he guides the eye and makes the nearest figure feel close enough to touch, while the others melt into the shimmer of the shore. Nothing is staged as a story; the picture keeps a passing moment of summer idleness, the small exchange of a glance and a smile between the boys, and the warmth of the sea around them.

Legacy

The painting belongs to the long series of beach pictures that made Sorolla famous as a painter of Mediterranean light. Because he gave it to the state collection himself in 1919, it has been in public hands ever since, first in the Museum of Modern Art in Madrid and then at the Prado. There it stands among the works that best show his way of painting outdoors, directly in front of the subject, with sand, skin and water caught in a few quick and sure strokes. The French source calls Sorolla a post-impressionist Spanish painter.